I was contacted by a lady in Maryland who asked me to do a Bobwhite quail.  We discussed what she wanted the sculpture to look like.  I asked her to send me some pictures that reflected the posture and attitude that appealed to her.   Since people who commission a sculpture are included in the design, I shared pictures of the original clay sculpture to make sure I was on track.   I also share periodic pictures of the sculpture as in progresses through the carving and painting process.    As a result, she will have a one of a kind sculpture that she helped to design.

The first step – Carving the quail

BWQ RS 1  The general shape of the quail is finished.  The next step is to layout feather groups such as head, breast, wings and scapulars.   Then each feather will be drawn and shaped before any of the fine detail can be added.  I should mention that it is advisable to use sketches and the clay model to plan the location of the legs.   You could have a perfectly carved bird, but the leg placement is incorrect, you sculpture will be appear perpetually and awkwardly off balance.

Feather Contours

BWQ RS 3  This picture shows the feather contours on the breast.  The “lumps and bumps” adds dimension to the carving. The shadows along with finer (yet to be added) feather details make the bird much more life like than a smooth painted surface.  The additional detailing involves using small diamond grit and grinding stones to refine the feathers.  Details include accentuating depth, adding feather splits  and refining the transitions between feather groups.

Feather contours on the wing

BWQ RS 2 One point that many people don’t consider when carving the feather detail is how the detail will be painted. Rough texture is more difficult to paint than a smooth surface. Feather group transitions have over lapping paint to soften the area where feathers such as the side pockets cover parts of the wings.